Du Simple Au Néant

And of ten! What, without seeming to touch there, imposes the term of career quietly. This new album studio, which follows upon two discs recorded in public, will surprise of them more one. First of all, those which did not feel to sting these last years, primarily on scene [since not relayed by a discographic production], which it is advisable to call a new maturity. It will also astonish the familiar ones of the Ogres, so much it marks a projection towards new musical territories. Thus, on this album studio [which succeeds Vague Terrain, left in 2004 and run out with nearly 50.000 specimens], the phratry opens with Eastern sonorities, inviting Arab musicians and Magyd Cherfi to share a piece. It also invites a singer and player of will kora Malian to be joined it for a coloured title of African musical emanations. The electronic musics are also seen offering a comfortable place on one of the songs. Lastly, the guitar of Sam joins again punctually with the fairy electricity. Thus, generally, this disc, while remaining immediately identifiable, accomodates in its centre some compositions which mark a notable musical evolution. The feather of Fred, as for it, more than usually, is still plunged in the ink of an engagement citizen, and dares sometimes anger, while remaining connected as well to the daily newspaper of the underlings as to the stainless relations between beings of opposite sex [or not]. Lastly, after equiphaving severely been equipped, the Ogres chose to record this disc in their studio ard